In Dua Lipa's music video We're Good, she is a singer on the RMS Titanic. At the end of the video, she's seen safely seated on one of the lifeboats with the Titanic sinking in the background.
Though approximately 212 crew members survived, approximately 688 crew members perished on the Titanic, including all of the musicians.
Would she as a female crew member, especially a musician, actually have survived the sinking of the Titanic if she was there in 1912?
1 Answers 2021-09-13
Hey all, I’d love any recommendations for books on Early Celtic Ireland or the Irish kingdoms (basically Ireland pre-Normans).
The only resource I’ve found in the wiki is an older book from the 70s, so I’m hoping somebody has read something that they could recommend?
Thank you so much in advance!
2 Answers 2021-09-13
1 Answers 2021-09-13
Is this the unique form of governance UK gave to its far flung colonies? Like minimal governance from London?
1 Answers 2021-09-13
Marx is quoted as saying "Under no pretext should arms and ammunition be surrendered; any attempt to disarm the workers must be frustrated, by force if necessary" -- do we know if he armed himself and what with?
2 Answers 2021-09-13
Were actors as famous as their modern counterparts or less famous (I’m guessing less famous, but I might be wrong)
2 Answers 2021-09-13
In documentaries about 9/11, they always have a part where fire and police dispatchers put out a call for all personnel to get to the World Trade Center. Did this literally mean all personnel, leaving firehouses and police precincts with just skeleton crews, or even unstaffed? If so, how were fires elsewhere in the city handled? What about police matters? How long did this distribution of personnel go on this way?
1 Answers 2021-09-13
1 Answers 2021-09-13
How did the fall of the Roman Empire (western, cir. 476 CE) affect those living in northern/northeastern Europe? Did the end of the threat of Roman legions lead to more peaceful lives for the inhabitants, increased commerce, development, etc?
1 Answers 2021-09-13
When the British and Polish perimeter at Arnhem and Oosterbeek collapsed during the failure of Market Garden, thousands of paras became POW. Most sources I can find (online) just state that they became POW. Is there anything known about the soldiers that became POW.
To my understanding, the German army was, despite the victory at Arhnam pretty much already running on its last legs and barely able to gather the recources for what would become the Battle of the Bulge, during which atrocities like the massacre of Malmedy happened, because of frustration, and a lack of time and resources to treat POWs well. So what happened to all those POWs? Where were they brought to? And assuming that many of them were wounded, how? And after that? How did they fare as POW? How and where were the wounded threated as a POW? And what did happen to the Polish soldiers? Were they treated different than the British and American POW's?
1 Answers 2021-09-13
I listened to an audiobook, the Great Courses Plus, that claimed that the Western/Formal Han dynasty in the western area of their empire had a more centralized government (including the capital) with commanderies but in the eastern portion they allowed semi-autonomous rule with kings. With this narrative and kings being a potential threat, why in the world would they allow kings to rule in the first place, when they very well could have expanded their centralized government?
1 Answers 2021-09-13
I believe it is generally well known that the symbol of the modern Bluetooth technology, is based on the intitials of the Danish ("viking") king Harald Bluetooth/Blåtand. Specifically the combination of the Haglaz rune (ᚼ) and the Berkanan rune (ᛒ).
However, Harald was also the first king of Denmark to convert to Christianity. One of the more well known Christian symbols is the Chri Rho (⳩), a combination of the Greek letters Chi (Χ) and Rho (Ρ), which form the first two letters of the name Christ in Greek (ΧΡΙΣΤΟΣ).
Now the ⳩ was popularised by Emperor Constantine who is also, depending on the source, the first Roman Christian emperor.
Is it likely that Harald tried to emulate Constantine by using the Bluetooth symbol as his initials? To show how he was a similar patron of the new Christian religion just like Constantine was?
1 Answers 2021-09-13
For the vast majority of human history, women have been relegated to a supporting, secondary role. I’d love to be able to say that patriarchal heteronormativity is over and done with, but it ain’t. Femininity and womanhood continue to be minimized and associated with weakness and emotionality. History, both in its disciplinary and everyday interactions with society, has often chosen to diminish women’s role, deeming their contributions to every aspect of social life as insignificant, as a direct consequence of a tendency to underestimate their skills and capabilities.
Music is, undoubtedly, one of the core cultural spaces in which women have remained almost entirely invisible. Don’t believe me? Brief recap then. During the early Middle Ages, both musical performance and composition were entirely dominated by men. It wasn’t until the motet showed up in the 12C that, out of sheer necessity, women started to be included in church choirs. A motet is a composition style based on biblical texts sung in Latin, designed to be performed during masses. Because these new compositions tended to require higher pitches in their vocal instrumentation, women became a necessary evil; but the overwhelming majority of compositions were still done by men, and those that were done by women were largely forgotten until contemporary scholarship showed up.
Moving forward we come across the Renaissance and the Baroque periods, when European aristocrats started considering that it was necessary for the women in their families, i.e. their daughters or wards, to complement their traditional “female” education with singing, dancing and musical interpretation lessons - particularly playing the harpsichord and the violin -. However, the objective of such a musical education was purely to embellish social gatherings, or to provide entertainment for the family’s guests, which is yet another reason why the artistic expression of women ended up being relegated to the private sphere.
This discrimination sticks around all the way to the 20C. At the beginning of the 1900s, English conductor Sir Thomas Beecham said “There are no women composers, never have been and possibly never will be”.
And then, far closer to right about now, world famous Indian conductor Zubin Metha said in a 1970 interview with The New York Times “I just don't think women should be in an orchestra. They become men. Men treat them as equals; they even change their pants in front of them. I think it's terrible!”
So today, let’s try to remediate some of that by looking at the fascinating contributions to art music done by three female composers throughout modern and recent history. Let’s prove these old men wrong.
Of siblings and brilliance
Fanny Mendelssohn was born in 1805 in Hamburg, the eldest of four siblings which included Felix Mendelssohn, who would become one of the most renowned composers of the Romantic period. She’s considered to be the most prolific of all female composers, and one of the most prolific composers of the 19C, period, with 465 compositions catalogued to date.
Her family was Jewish, but as a result of the pointed antisemitic tendencies of the German states of their time, her father decided to add a second surname to the family name, Bartholdy, converting the family to Protestantism, baptizing all four children in 1816. It was around this time that Fanny started receiving her first piano lessons from her mother. After demonstrating undeniable technical skill, she received formal training alongside her younger brother Felix.
Even though she was well known as an accomplished virtuoso pianist in her private life, she only performed in public once, in 1838, and her life as a composer was underscored by the extreme misogyny of her time. Her family, Felix included, was not keen on her compositions being published, and several of her works were actually published under Felix’s name, which led to one of the most famous anecdotes involving the two siblings. In 1842, Queen Victoria invited Felix, by then an extremely famous composer, to visit Buckingham Palace. During said visit, Victoria expressed her desire to sing her favorite lied (song) of his, called Italien, to which Felix had no choice but to acknowledge that the song had actually been composed by Fanny.
Fanny died five years after this incident, aged 41, after suffering a stroke while rehearsing one of her brother’s cantatas. Felix died only six months later, after a long period of illness and depression, thought to have been aggravated by the death of his beloved sister. Because make no mistake, Felix loved Fanny dearly. His views on the publishing of her works aside, he always credited her as his greatest inspiration, and always admired her as one of the finest composers he’d ever known. Here’s another one of her pieces, my favorite, the first movement of her Piano Trio in D Minor, opus 11.
Across the ocean
Our next composer was from the US! Let’s get to know Amy Beach. Born Amy Cheney in 1867 in New Hampshire, she was a child prodigy and genius, being capable not only of speaking perfectly when she was just one year old, but also of reciting by heart over 40 different songs. Yes, seriously. By the time she was 2 she was already improvising counterpoints, and she wrote her first compositions when she was 4. Yes, seriously.
Her work is particularly noteworthy because she didn’t receive a traditional European musical education; in fact, she only received a very rudimentary education in composition and harmony: she was an autodidact composer. She was also an extremely accomplished pianist, but her career was initially cut short by her marriage to a man 24 years older than her, Henry Beach. She was expected to abandon her musical life as an educator, one of her passions, in order to become a good wife and socialité, being allowed only 2 public performances a year. However, she continued composing regardless of her husband’s disapproval.
Here’s her only Piano Concerto, composed between 1898 and 1899. It’s divided in four movements, with the second and third ones being based on songs composed by herself, ending with a fourth movement that starts with a somber and lethargic take on the third’s main theme, with a faster paced twist near the final coda. It was dedicated to world renowned Venezuelan pianist Teresa Carreño. Sadly, by the time it was premiered in 1900, the critics demolished it so badly, Carreño thanked Beach for the dedication, but refused to actually perform it in public. However, nowadays it’s considered to be a masterpiece of the Concerto genre, being one of the key pieces of the US piano repertoire.
Here’s a piece of hers that solidified her position as a composer so much that the initial backlash the Concerto received didn’t actually affect her reputation: the first symphony composed by an American woman, her Symphony in E Minor, nicknamed the Gaelic. Of the over 200 hundred classical works and 150 popular songs Beach composed, the Gaelic is without a doubt her most famous piece. Published in 1897, two years before the Concerto, its composition demanded three years of her life.
Beach credited Antonin Dvořák as her main influence for the symphony. Dvořák had lived in the US for several years, which he spent travelling and researching popular music from the US, with a particular interest in the music of the Indigenous Peoples of North América. Beach’s Gaelic symphony was nicknamed that because she thought, in her youth, that Gaelic folk styles had been one of the primary influences in the development of US musical styles. However, in her maturity as a composer, she shifted her focus, more interested in the indigenous music that had so fascinated Dvořák.
Beach became a widow and an orphan in 1910. After a few years of travelling through Europe, grieving and slowly getting back into the musical scene, she was finally able to dedicate more and more time to music pedagogy and teaching. Her time in Europe had a reinvigorating effect on her interest for music, going as far as stating that in Europe, music was “put on a so much higher plane than in America, and universally recognized and respected by all classes and conditions as the great art which it is.”
Upon her return to the US, Beach became an even fiercer advocate for the musical education of women, both in performance and in composition, using her considerable network of contacts to further the careers of individual performers such as operatic soprano Marcella Craft, and of many different clubs and organizations destined to provide women with the tools to develop and hone their musical skills and expertise. She died in 1944, after more than four decades of working towards bettering the working and educational conditions of women in the musical sphere, both in the US and the rest of the world.
Women should also be visible in the Global South
Jacqueline Nova was born in 1935 in Belgium. Her father, a Colombian citizen, took his family back to his homeland when she was still a child, where Nova took her first piano lessons, aged seven. She showed the technical skill for composition from a very young age, which led her to abandon her performance studies to focus on composition at the National University of Colombia’s Conservatoire, graduating in 1967. During her rather brief career, she composed over sixty pieces, focusing primarily on incidental music and film scoring. As a brief definition, incidental music is a type of art music that tends to have certain instrumentation similarities with classical music, but that is exclusively composed to accompany plays, television shows and movies.
Aside from her work with incidental music, she composed most of her works as art music, utilizing two composition styles called dodecaphonism (or twelve-tone technique) and serialism that were all the rage at the time, taught to her by her teacher, Argentine composer Alberto Ginastera.
Ginastera was, according to Nova, her greatest musical influence, because he showed her the beauty of these two styles, both of them derived from the principle of atonality. Dodecaphonism consists of considering the twelve notes in the chromatic scale as equal, without any form of hierarchy amongst them, which allows the composer to break away with the scale itself in order to rearrange notes in whichever way they wish.
On the other hand, serialism was born as an evolution of twelve-tone. Just as dodecaphonism is based on the de-hierarchization of the chromatic scale, serialism takes atonal experimentation one step further, by establishing that, after a note has been used, the other eleven have to be used in some way before the original note can be used. However, this isn’t an absolute structure, because atonal styles are characterized by their inherent rejection of traditional compositional structures, so a composer may eliminate a note from the combination altogether if they so wish.
Nova became enthralled by these new forms, applying them to the overwhelming majority of her pieces, creating a type of music that is eternally changing, shifting, full of its own personality, wth melodies that are almost anthropomorphic, temperamental.
Soon after she returned to Colombia after studying with Ginastera in Buenos Aires, she was diagnosed with bone cancer, which she battled for years until her death in 1975. Out of all her works, I’m particularly fond of her Metamorfosis III for orchestra, published in 1966 and considered by Nova herself to be her favorite work. There is something viscerally powerful in this piece, composed by one of Latin América’s most accomplished composers, that I just can’t help but to share with everyone. To me, and this is an entirely subjective appreciation, this piece is about transformation as the beginning and the end of art, of human expression, it’s happy, aggressive, patient, mysterious, pulsating.
9 Answers 2021-09-13
Hi everyone! I’m doing research for a smaller video game set in a small town/village in Feudal Japan and I could really use some help ti better understand the structure of and the daily life in villages/towns in Japan between the years 1400-1600 CE.
I have a couple of more specific questions on the subject that I quickly thought of but essentially I would like to know about as much as possible of a “normal” person’s life and the villages/towns they lived in.
Thank you for taking the time of reading and hopefully be able to answer some of my questions. Much love to everyone.
1 Answers 2021-09-13
What was the attitude of various socialists in Italy towards Mussolini?
1 Answers 2021-09-13
Hello askhistorians subreddit, not knowing this forum until recently I asked some scholars by email how a non-expert can evaluate the academic quality of a book, I received different answers is what I understood is:
So I can't figure out how I should proceed, what do you recommend?
1 Answers 2021-09-13
Hello everyone, I’m very interested in the lesser known things about WW2 as I’ve studied it deeply and know most of what’s out there. However, recently, I learned that hitler tried many times to get Poland to ally with him and even respected Pilsudski very much, even attending a church service when he died (only time hitler was known to attend a church service as Furher from what I understand). Was hitler sincere in these attempts? Is there any reading material on this matter, i cannot find any of any real value or in depth information. I feel like hitler would of loved to avoid a war in the west and allying with Poland to destroy the Soviets seems very logical to me to avoid war in the west, and with the French-Polish alliance, I know this gets very complicated and Poland was in a tough spot. Obviously, they ultimately trusted the French and British more because of what happened in history, Poland received no real assistance from the French or British and then was abandoned to the Soviets afterwards but was there really a true attempted alliance by Hitler? . I just assumed hitler hated the poles because of territory issues and being “subhuman” to the Germans, I’ve never put much thought into it until I read a small article about it. Any information is much appreciated, thank you very much in advance!
1 Answers 2021-09-13
I often try to look at historical revisionism as of us to re-evaluate and understand the data that we have so far and with the emergence of new data. I believe that this is also related to historiography because whatever data we have, is also dependent on how we interpret the data and how it is distributed to the public.
And from my understanding, the subject of history can potentially be misinterpreted which leads to inaccuracies or the need for further analysis of certain eras (such as inaccurate impressions or ideas about certain eras or historical figures like the Medieval era or the Roman Empire. The analysis of Edward Gibbon's book comes to mind); or history can be utilised, sometimes with the wrong intentions to fit certain agendas or ambitions which are usually political
(such as how Nazi Germany came up with the idea of the evolution of the Aryan race which is more pseudo-science than realistic; or the interpretation of the Greco-Persian war which was made where the Greeks are portrayed from a more positive light)
And when we mention historical revisionism, it often involves some people's intentions to look into revise our understanding of WW2, the Holocaust and everything else related to it.
Very rarely do I find mentions of the need to revise history in other eras or other controversial events.
My question is why?
Is there any legitimate concern of the data that we have so far about the era or where there are certain gaps of knowledge in the data?
Is there a clear agenda in mind such affiliations to fascism or Nazism or another ideology or nation?
Or is it because of something else such as misunderstanding the information and how the era came into being, or because of another psychological phenomenon such as the disbelief of the sheer scale of the war (such as how some want to deny the existence of the Holocaust or the sheer scale and say that the numbers are exaggerated)
I am asking this because I am a psychology graduate so I am more inclined to understand where these ideas come from and why because my understanding tells me that there is a reason behind this mentality, even if the mentality is flawed or biased
1 Answers 2021-09-13
1 Answers 2021-09-13
Surprisingly I don't believe this question has been asked yet in this sub.
I know that some Christian literature predates the suspected birth of Christ, while most well-known accounts of jesus of nazareth were written by people who indirectly knew of, or heard stories of a man people claimed was the messiah, but date after his death.
Is there not even a single appearance of this character in any writings that coincide with the years he lived, from authors who claim to have been in his presence? Or even any statements from figures who don't allege to have personally known or been in direct contact with him, written during this short period — or does he not appear in any preserved literature until after the date of his presumed death?
1 Answers 2021-09-13
By which I mean, was there any kind of public health issue? Was there any percentage of the population going through withdrawals? And if so how was that handled? I did a small bit of poking around and I could easily find sources about there having been cocaine in the soda and why they stopped doing it but so far nothing I've found talks about the aftermath of removal.
1 Answers 2021-09-13
How do historians view the above title? I just finished reading it, and I certainly enjoyed it and felt I learned a ton from it. But I’m a hobby-historical reader at most, and would like to know how members of the historian profession judge this book.
2 Answers 2021-09-13
The picture is at the top of this page: https://en.wikipedia.org/wiki/American_Civil_War_prison_camps
My curiosity was raised because he really doesn't seem to be in a condition one would recover from - I doubt he could even move in his state - but the caption claims he was still "barely alive" at the time. It also says he was in the Union and was liberated from Andersonville in May 1865, but nothing else. Given that a photo was taken of him, are there any other records of who this was and whether he survived?
1 Answers 2021-09-13