My grandfather was a P-38 reconnaissance pilot who took aerial photographs in WWII all over Europe. I have a few hundred originals. What is the best method for preserving these and making digital copies?

by Triplecrowner

Most of them are about 10x10 and a lot of them have dates and other metadata printed on them that I can't understand. Some are taken top-down from high above and are before and after bombings. There are also a lot of low altitude lower-angle shots of bridges before and after being destroyed, along with shots of castles and beaches and fleets of planes in the air.

Mostly I'm curious as to the best way to digitize these and also preserve the originals. I have an Epson V600 scanner that can do a wide range of DPIs. The scanner bed isn't quite wide enough, but most of the pictures have a black border around them so very little image would be lost. Also wondering what image format to use. This might be a better question for a photography subreddit but the nature of these pictures seems very historically relevant (and possibly rare) and I'm hoping these are of interest to some of you who could also provide context for them once I post them online.

Here is some information I've pulled from the photographs so far:

April 1944:

  • Chalgrove

  • Namur m/y Belgium

  • Cherbourg mapping mission

  • Holland mapping mission - 6,000 sq miles in 45 minutes

  • Gottingen Airfield

May 1944:

  • A port coverage - Boulogne

  • A french coast airfield destroyed by germans

  • A low altitude BDA of Dieppe

June 1944:

  • Moving film-compensating camera mission for paratroopers, Carentan Area

  • Normandy Hedgerows, A-9 is born

July 1944:

  • BOQ, Le Molay

  • St. Lo - Above and Below

  • First View of France

  • Nevers m/y

  • Tank Battle Grounds - St. Lo Area

  • Enroute to France

August 1944:

  • The Bar-le Molay

  • Harbor at Brest

  • Bridge Out - Loire River

  • Isle of Cezembre

  • BDA of tours Marshalling Yard

September 1944:

  • Paris

  • St. Malo

  • Tousses - Le Noble

  • Naptha-Jel-Bomb, Isle De Cezembre

October 1944:

  • P-38 over Belgium - Happy Landing

  • A Merton Gridded oblique for artillery - the Rhine Area

November 1944:

  • Aachen

  • Roer River Dam

  • Kesternich

  • The Dragons Teeth

December 1944

  • St. Vith

  • Giessen m/y

  • Kassel/Rothweston

  • Coal Piles at Chaleroi, Belgium

  • Mertzhausen l/g

  • Nidba

  • Dicing shot Gossellies, Belgium - Local Brewery

  • Kirch(g?)ons

  • Dicing Shot - Crew cheifs

  • Dicing shot of D/F

  • Kassel/Rothweston

  • Altenstrot

  • Ettinghausen

January 1945:

  • A target of opportunity - this was an ammo train

  • Neuweid Road Bridge - before and after bombings

  • St. Vith - Before and after bombings, and another

  • Practice Mission - Sed-n

  • R/R Fla- Wagons

  • Fortification

  • Neuweid Road Bridge

  • Train hit by F/B near Euskirchen

  • Bridge at M-082351

  • Kassel/Rothweston

  • Ettinghausen

  • Dicing shot of A/F

  • (6) Hamm

  • A/F at Kirchgons

  • Ta- to take off position

February 1945:

  • "Table top" model of Remagen

  • An attempt to hide the Engers Rail Bridge with smoke

  • B-26's out to hit targer

  • (3)Duren - bomb craters

  • A BDA, one day after bombing and strip repaired - Ettinghausen

  • Cologne Rail & Road bridges

  • Roer River Dam

  • Neweid Bridge

  • Cologne Rail & Road Bridges

  • The I.G. Farben industry at Leverkusen

  • Oil Fire B-17's & 24's Leveurkirsken - North of Koln

March 1945:

  • Gosselies-Charleroi

  • Highway bridge at Koblenz

  • Remagen Bridgehead

  • Koln - bombed - shelled - Stormed - Captured

  • Ordensburg Vogelsang (Hitler?)

  • Roe(r/v) River showing fortifications

  • Koln Cathedral - R/R Bridge - Rhine River

  • This was Dur(--)

  • Flooded Roer River after blowing the dams by german forces

  • Bridge south of Cologne

  • Cathedral at Cologne

  • Remagen's Ludendorff and ponton bridges

  • Airborne invasion across Rhine

  • Ruined German Village

April 1945:

  • Gotha prisoner of war camp

  • Mt. Brochen

  • Snooper over Germany

  • Restricted document: Locality: osterode N.W. (R.R. siding)

  • Castle Apelstadt

  • Langensalza

  • Gottingen

  • Gotha

  • Remagen's Ludendorff and ponton

  • Castle at Erfurt

  • Nordhausen

  • Autobahn convoy

  • Gottingen

  • Snooper over Windenhausen, Germany

  • Cologne

  • Langensalza

  • Limburg

  • Gotha

  • Base at Eschwege

  • Gottingen

May 1945:

  • Kassel

  • Bismark Tower - Es(c/o?)hwege, Germany

  • Autobaun - East of Kassel

  • World's largest jamming station, German - Near Weisbaden

  • Weisbaden, Germany, Red Cross Club

  • Autobaun, East of Hassel over We--- River

  • J(u?)-88 SHot down over our field, last day of war

June 1945

  • Eschwege a/f r-11

  • Brussels, Belgium

  • Wei(m?)ar a/f r-7

These are just the ones that are labeled - I have many more, including what appear to be the beaches at Normandy along with many shots of Paris.

My grandfather left these to my Uncle who is now the rightful owner. Should I suggest that he donate them to a museum after I digitize them? I don't know how rare these are or if other copies even exist.

I know this post is a tease as I haven't included any actual pictures, but I certainly will once I know the best method for digitizing them and if there is a real interest.

Thanks!

Averyphotog

For preserving photos, lots of great info on this American Museum of Photography page.

As far as digitizing them is concerned, you can use any good flatbed scanner. If the scanner isn't large enough, software can stitch together two smaller scans to make a complete image.

And when you do scan them, make sure you post them to: r/historyporn

caffarelli

Industry standard is currently 600dpi TIFF for digitization. My library actually just officially made the switch to jpeg2000 for preservation standard image format, but most places are still on TIFF, including Library of Congress. Any loss-less format with an open code is theoretically fine though.

For preserving the originals, if you plan to handle these a lot I would recommend getting good quality sleeves, like from an archival vendor like Hollinger, Gaylord, etc. Do not buy stuff from Office Depot, even if it says "archival," that's not a controlled term, you can call anything you like "archival" and it's perfectly legal. If you don't plan to use these much you could save some money and do acid free buffered folders, available from the same vendors.

brandonthegrey

My first piece of advice (and I'm biased here, I'll come right out and say it!) is to donate them to an Air Force or similar museum. The best one with the largest archive is the National Museum of the United States Air Force. They can take better care of them than just about anybody if you're really concerned about their long-term preservation. I've worked with a few of the people there and they know what they're doing.

As to taking care of them yourself, here are a couple of Sources. These assume they are printed on material typical of 1940s photographs, and aren't slides or negatives.

-If you can, store them in sleeves made of pure polyethylene, polypropylene or polyester. If you can, store them in their own sleeves each, but this is probably cost prohibative for most people. -Keep them somewhere dark. If you can get your hands on an archive-quality box (that is, acid free, made without dyes. If you'd like I can post the actual standards, but they're incomprehensible to most people!). An album is fine, but i'd go for one made of an intert plastic or other archive-quality material, as most ones you'll find in retail shops are made with acidic cardboard and dyes. Light is going to be your biggest enemy. When you are scanning, do each photograph only once if possible. I've seen people fry faded photos scanning or copying them repeatedly! Two or three times shoudln't hurt anything though, just keep in mind that older scanners can produce heat which may warp images. -Keep them somewhere with stable humidity and temperature (I aim for about 40% in my storage area, but you don't have to be THAT specific for private collecitons as long as its stable). That means keeping them out of the basement and attic, and away from radiators, windows, and exterior walls. If you have a closet in your room that's not touching an exterior wall this is probably sufficient for your needs. -General stuff. Some people will reccomend gloves, and I'd agree if you plan on handling them heavily. Otherwise just make sure you wash your hands before handling and don't touch the photo surface and you should be ok. -Cleaning: as long as they're in sleeves (even album sleeves) they should never really require cleaning. If they are especially dusty, pick up a soft-bristled, animal hair paintbrush from a local art shop and lightly dust them, moving in straight, gentle lines.

Scanning:

-Firstly, make sure you're using a no-heat scanner. Older scanners (more than a few years old) can heat up after repeated usage, so just keep an eye out for this. -Format: Generally, most places use TIFF but i've worked places where JPEG was used. It's really up to you, as if you ever donate the pieces they'll be rescanned to fulfill a huge list of requirements most archives have as far as metadata and the like goes. -DPI and Resolution: The higher the better! The usual standard is, if possible, that the photo doesn't look blurry or pixelated when blown up and printed in high-quality using an 8x11 piece of paper. Obviously, this can change drastically depending on the photo's original quality and size.

For the National Archives guide on photograph handling, it can be found here. It's pretty dense (I've never even read all of it) but it will cover any question you have, even including stuff like monitor settings for "properly" viewing photographs.

As far as photo identification goes, if you have any quesitons please don't hestitate to ask. I'm a military history specialist who works for a national veterans group that has its own museum and archives, so I do a lot of stuff like this on a day-to-day basis, including photo identificaiton. If I don't know, I can always get you into contact with several very good official USAF historians as well!

george_kaplan1959

Scanning the edges may help identify film stock and camera, so you should probably do small scans and stitch them together.

Peralton

If your scanner isn't big enough, and you can't afford a bigger one, you may go for a bit more old school and invest (buy or build) in a photographic copy stand. It's a camera facing straight down with two lights at 45 degrees to the surface. The photo is typically placed under glass to make it flat and you snap a picture at high resolution.

Top quality scanners will do a better job, but if you already have a good camera, this would work. It was the process used for a long time before digital came around.

Chambellan

Before you start scanning them, talk to a professional. Any work you do will likely be repeated by whomever the originals get donated to. If you want copies, make it a condition for the donation.

Look for your grandfather's squadron, chances are there is some sort of organization associated with it, and they may have suggestions for academics to contact.