When I studied this coughtwentycough years ago, I learned that these cones on their heads were made out of perfumed wax or fat and would melt the perfume smell as they danced or got hot.
A grade schooler is telling me that recent discoveries say it's now more considered as a symbol of rebirth.
Another thing google found, links to:
A New Interpretation of the Cone on the Head in New Kingdom Egyptian Tomb Scenes by Joan Padgham.
Can somebody who studied this more recently / thoroughly than a single chapter in a single class shed any light on this? Has Padgham's theory pretty much supplanted the perfume cone idea? Are people generally accepting that it's not perfume anymore? Any other credible sources?
Thanks!
All I can offer is some annoyance with the first post that popped up in the egyptiandreams link you provided, claiming that the Egyptians would not have taken the wax from hives if bees and honey were a luxury item.
This particular claim is patently ridiculous. Until very recently, harvesting honey from a beehive meant destroying the colony of bees because of the design of skeps -- now hives in the US, for example [not because other parts of the world do not use these, but because using a skep is now in fact illegal in the US in particular], are designed to allow the beekeeper to cut and harvest the honey from the hive without damaging the wax or injuring the bees. Indeed, it is largely because of the decline of the price of honey and the reduced profit margin in raising bees for honey that it has become so important to improve yields by not disturbing the wax structure, which requires a significant caloric output by the bees to restore -- which is why I find it annoyingly difficult to find a good honeycomb anymore.
On the history and design of beehives and the development of post-skep designs: https://www.omlet.us/guide/bees/starting+out/beehive+types/
Again, however, I apologize that this is more a quibble with the links than any profound endorsement or refutation of the larger arguments involved. I do always recommend some extreme levels of hesitation when archaeologists want to identify anything as death/rebirth symbolism, since this often seems to be an unfortunate default for a career that involves so much trying to understand cultural values through the lens of funerary practices.