Greetings /r/askhistorians participants! I am Banastre Tarleton!
For years my dear friends and even rare acquaintances have suggested that I partake in viewing a moving picture titled The Patriot by Roland Emmerich. They made me aware that there is a likeness to my own self with a character named Tavington? I have to say the name is nothing like mine, so I have doubted the assumption since the idea’s inception. Upon some research I discovered that Mel Gibson played the main character, Benjamin Martin, and is the star Patriot of the movie. I was shocked to learn that Gibson hails from the future penal colony of Australia. A brigand on stage!
Martin begins as a man of noble soul, a man who served his time in His Majesty’s army in the late war against the French, and hesitant to take up the musket once more. Only few can understand the resistance to pick up arms again after war ends. It is a shortly after this introduction that this Tavington fellow is brought into the fold. I ought to end my relations with my friends for thinking of me when they first witnessed this character. I am above insulted! I bear no likeness to this brute who has no genteel morals and scruples. Commissioned officers of His Majesty’s Britannic army have standards to uphold and save for that Fannings fellow, they were upheld throughout the war. Who will these authors base their next fictional villain on next? Perhaps another gentleman such as John Graves Simcoe. Oh, how disgusting that would be.
The Tavington character’s likeness to me must be based on falsehoods. I never committed atrocities such as these. Never put a torch near a church nor harmed the hair on a prisoner. The authors ought to have researched my journal on the campaign! They would have found that I acted wholly as a gentleman. I ensured protection of prisoners of war shortly after the battle near Camden when the American army routed for safety. My drive for victory against them was never personally but purely professional on a military level. During the war I held no sympathy for the rebel but I also held no hatred to him. I also wish to bring to light that the Earl Cornwallis never held ill will against me nor I to him. He became a mentor to me during the war and I had his constant support while in the Carolinas. Never did once lash out at me in the manners that the film suggests.
I found no surprise that the viewpoint of the picture focused on Martin as the reluctant hero of the American cause. I suppose over the years after the war ended I found some small inkling of sympathy for these rebellious Americans. May be not patriotic to the British government, but to their cause and future experiment in sovereignty. The authors of this entertainment left out any possibly sympathy or understanding of loyalist cause. It created a rather one-sided picture of fighting a war against a faceless and heartless enemy, which was not the case. Hearts and bodies bled on both sides for their cause. The Captain Wilkin’s character soured any attempt for the audience to gain sympathy for the loyalist cause. I have no iota of an idea what person he could be based on, other than the ancient and eternal ruffian who will do his master’s bidding of staining one’s hands with blood. His guilt over the atrocities on civilians led to no change in character and mattered not one bit. It left no effect on the plot and might as well never had appeared.
If possible, I must make a slight comment on the dress of the characters within. The clothing seemed a poor facsimile of what we wore then and nary a hat on most of the men. Of course, I attempted to enjoy the feature without these presumptuous nitpicks, but when they portray these costumes as the fashions of the era it must be protested – however, protested lightly. I scoffed at the author’s choice of giving the dragoons redcoats due to the possible confusion it may cause American audiences upon seeing green coats. I shall tell you from my own experience that Americans gave no confusion in differentiating my troops from their own in battle from the many times they pointed their weapons at me. Bah! Green jackets were a pride in my unit as well as our counterparts in the Queen’s Rangers. They will be a rather sharpe addition to the British army when fully established.
Martin is a likeable character and possibly reminds me of the certain figures I chased after in the Carolinas during the war. I admit that at certain times I cheered at some of his antics with delight, even if I thought they were too clever to be realistic. I cannot think of any deceitful acts that occurred in the war that in any part resembled Martin’s trickery. I do not discount his style of warfare as irregular and beneath the tactics of the British army as we certainly learned the craft in the previous war and is likely when Martin learned as well. Without guilt, I also admit a feeling of redemption witnessing Martin kill Tavington at the battle of…somewhere in the Carolina backcountry? Considering that I lived after the war for a few decades and this brute did not, I take it as the biggest degree of separation from my own person. However, I must critique Martin’s purpose in the war and the war itself. Martin held no motivation for war other than a burning revenge for loss. He exuberated much less spirit of the American cause than a patriot ought to show. The feature is not titled A Patriot but THE Patriot and Martin lacked any fervor or zeal for the much contested reasons for the war. Perhaps it was a mistake to give this film that title. May be A BackCountry Revenge: A Family Man’s War in the Carolinas during the late American War against the British would have been more appropriate for the film. This work of fantasy is out of bounds with the notions of the history and the understandings of the war. I surely hope they do not attempt a fantastical sequel to this refuse pile.
With the real truth, I am your obedient and humble servant,
Banastre Tarleton
Dear sir,
While I have the greatest respect for your Valor and manly Deportment, I do not hold your abilities as the Commander of an Army in such esteem. I cannot help but remark that you have presented an Account which smoothly elides your greatest Failure, which is obliquely referenced in the Rebel Fantasy on which you expound. At the Cow Pens, in the Province of South Carolina, on the 7th of January in the Year of Our Lord 1781, you did undertake a hasty Attack, with neither Reconnaissance nor Intelligences nor Skill, and with an Army that had been entirely without Provisions for two days and much fatigued by constant Exertions. Thereby, you contrived to lose your splendid Army, destroy my Regiment utterly, and put many gallant Officers into the hands of the Enemy.
I would demand Satisfaction, but my bloody Death in the aforementioned Battle makes such a course of action impossible.
Captain Charles Helyar, 7th Regiment of Foot, the Royal Fusiliers.
If I may correct your misapprehension, Mr. Gibson (a person whom I am disinclined to defend on many points of character, such that it grieves me even to think I may be seen as his champion in this missive) is not in truth a citizen of Australia, although he is descended from a singer who was popular in the colony two generations earlier. Mr. Gibson is in fact American born, having taken his first breath in Peekskill, New York, and only began habitation in Australia when he was already 12 years of age. He holds a "permanent resident" status in the southern land, but his citizenship is held dually between the United States of America and the Republic of Ireland, the existence of which is a matter the explanation of which to you would require more time than I have for writing at the moment.
A truly revolutionary post.
They will be a rather sharpe addition to the British army when fully established.
I would advice caution when alluding to this character, even if done in such an oblique manner, or we might risk the ire of u/JeSuisNapoleonI
I must say, you certainly gave this movie more quarter than your reputation would suggest.
Baronet Tarleton: Whilst I fully understand that you were not privy to the diplomatic processes of the Treaty of Paris, can you offer any commentary as to the performance of Paul Giamatti in the dramatic series John Adams, where he plays that rebel leader who later served as the ambassador of the United States to the British Empire? Does that depiction adhere more closely to the etiquette and bearing of that Mr. Adams and other such leaders of the rebellion?